Movies You Can't Miss

 

Even the Rain

(Spanish-2010)

Director: Iciar Bollain

                                                                

   

Spanish director Sebastián, his executive producer Costa and all his crew are in Bolivia, in the Cochabamba area, to shoot a motion picture about Christopher Columbus, his first explorations and the way the Spaniards treated the Indians at the time. Costa has chosen this place because the budget of the film is tight and here he can hire supernumeraries, local actors and extras on the cheap. Things go more or less smoothly until a conflict erupts over the privatization of the water supply. The trouble is that one of the local actors, is a leading activist in the protest movement.

                                                              

Movies You Can't Miss.

TURTLES CAN FLY

(IRAN-2004)

DIRECTED BY

BAHMAN GHOBADI

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The film is set in a Kurdish refugee camp on the Iraqi-Turkish border on the eve of the U S Invasion of Iraq. Thirteen-year-old Satellite (Soran Ebrahim) is known for his installation of dishes andantennae for local villages who are looking for news of Saddam Hussain and for his limited knowledge of English. He is the dynamic, but manipulative leader of the children, organizing the dangerous but necessary sweeping and clearing of the minefields.

The industrious Satellite arranges trade-ins for unexploded mines. He falls for an orphan named Agrin (Avaz Latif), a sad-faced girl traveling with her disabled, but smart brother Hengov, who appears to have the gift of clairvoyance making people think he can predict the future. The siblings care for a blind

toddler named Riga, who is the son of Agrin after being gang raped 

by soldiers in their previous village.

Movies You Can't Miss

 

DUEL

A Steven Spielberg Film

(1971)

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David Mann (Weaver) is a middle-aged Los Angeles electronics salesman driving his redPlymouth Valiant on a business trip. On a two-lane highway in the California desert, he encounters a grimy and rusty Peterbilt 281 tanker truck, traveling slower than the speed limit and expelling thick plumes of sooty diesel exhaust. Mann passes the unsightly truck, which promptly roars past him and then slows down. Mann passes the truck a second time and is startled when it suddenly issues a long air horn blast.

The truck follows him into a filling station. While there, Mann makes a phone call to his wife (Jacqueline Scott), who is upset with him for not confronting one of their friends at a recent party who was making a pass at her. The gas station attendant mentions that Mann needs a new radiator hose, but he disbelieves the attendant and refuses the repair.

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Once both Mann and the trucker are back on the road, the truck begins blocking Mann’s path each time he attempts to pass it. At one point, the truck driver waves at Mann, indicating that he can overtake. When he does, he almost strikes an oncoming vehicle. Mann realizes the truck driver was trying to trick him into a fatal collision. He passes the truck again, using an unpaved turnoutnext to the highway. The truck soon begins to tailgate Mann at high speeds—over 90 miles per hour (140 km/h)—forcing him to maintain his speed to avoid being rear-ended. The chase continues down a mountain road with the truck bumping him several times until the Plymouth goes off the road, colliding with a guardrail across the road from a diner. The truck keeps going.

Mann enters the diner (Chuck's Café) to compose himself. After returning from the restroom, he is shocked to see the truck parked outside the diner. Mann studies the diner patrons carefully and begins an inner monologue in which he contemplates the driver's motives and second-guesses his decision to sit helplessly in the diner. Most of the patrons sitting at the counter give Mann the impression of malice, but when one leaves, appearing to approach the tanker, he instead drives away in a pickup truck. Mann eyes the patrons again to try to identify his pursuer, and when he thinks he has, he confronts him. The man he approaches (Eugene Dynarski) is angered by Mann's accusations and engages him in a short fist fight. After the fight is broken up by the café owner, the falsely-accused man drives away in a livestock truck; the tanker truck leaves a few seconds later, suggesting that Mann's tormenter was never in the diner in the first place.

Mann leaves Chuck's Café and stops to help a stranded school bus, but his front bumper becomes caught underneath the rear of the bus. The truck appears at the end of a tunnel. Mann panics, manages to free the Plymouth and flees, but then is puzzled to see the truck helping the bus get moving. At a railroad crossing, the truck quietly approaches Mann's car from behind and starts pushing the Valiant towards a passing freight train. The train passes by just in time and Mann crosses the tracks and pulls off the road. The truck passes him by and disappears.

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Mann then stops at Sally's Snakerama Gas Station to call the police and refuel his Plymouth. Before he can complete the call, the truck roars up and plows into the telephone booth, with Mann jumping clear just in time. The truck proceeds to chase Mann as he is on foot, destroying Sally's Snakerama and releasing several rattlesnakes that had been caged on the premises. Terrified, Mann jumps into his car and speeds away. Mann then hides behind an embankment off the road and sees the truck pass by, apparently without noticing him. After a long wait, Mann heads off again but is dumbfounded to see that the truck is waiting for him just around the bend. Mann stops his car and attempts to get help from an older couple in a car that is cruising by. They think he is crazy and refuse to listen until they see the truck themselves, and flee when the truck backs up towards them at increasing speed. Mann returns to his car. The truck eventually allows him to pass by and a high-speed chase begins. Mann races up steep grades, putting some distance between himself and the truck. However, his Valiant begins to overheat when its weak radiator hose fails and the truck quickly begins gaining on him. Mann barely makes the summit and coasts down the other side in neutral as the truck bears down on him.

Descending at speeds too great to control, the Plymouth spins out and impacts a rock wall. The truck speeds toward the damaged car as Mann accelerates, drives up a dirt road, and turns to face his opponent on a large hill overlooking a canyon. He places his briefcase on the accelerator and steers his vehicle directly toward the oncoming truck, jumping from the car at the last moment. The tanker hits the car, which bursts into flames, partially obscuring the truck driver's view. Too late, the truck's driver realizes he is headed for the canyon and brakes hard. With a blast of the air horn the truck plunges over the edge of a cliff into the canyon below. Above the smoking wreckage Mann sits, exhausted, at the cliff's edge, tossing stones into the abyss as the sun sets.

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Movies You Can't Miss

'HOME'CINEMAS

Three films in three different languages and from three different countries.

It would be silly to link them based on the word "home" in their titles.
 Still  I would like to do so, considering the fact that they are exceptionally 
good films. 

GETTING HOME

china - 2007

Director YANG ZHANG  
 

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“Getting Home” is a quintessential road movie set within the rural backdrop of China. Directed by Yang Zhang (Spicy Love Soup, Shower, Sunflower), the film tells a simplistic, but heart warming, story centered around a peasant and his dead friend. A gentle black comedy of sorts, the humor level will catch you off guard, while the journey itself lures you into the world of Zhao and Liu Quanyou.

For four years, Zhao and Liu Quanyou worked together in a big city factory. The friends often drank together and talked about life, including their innermost fears. Zhao was afraid of dying alone in the big city and away from his family. His friend, Liu Quanyou, promised that if he did pass away he would take his body back to his hometown.

THE WAY HOME

South Korea - 2002

Director JEONG-HYANG LEE

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A youngster learns a valuable lesson about family, friendship, and love in this family drama from South Korea. Sang-woo (Yu Seung-ho) is a seven-year-old boy whose parents are divorced, and whose Mother (Dong Hyo-heui) has decided she needs a break from parenthood for the summer. Mother sends Sang-woo to the country to spend some time with his Grandmother (Kim Eul-bun), who is quite old, in poor health, and cannot speak. Sang-woo doesn't much care for his Grandmother, and prefers to spend his time playing with his hand-held video game rather than have anything to do with her. When the batteries die out in his game machine, Sang-woo heads into town to replace them, but before long, he gets lost with no way to find his way back to Grandmother's house. Eventually, two kids (Min Kyung-hun and Yim Eun-kyung) help Sang-woo find Grandmother's home, and he resigns himself to spending the summer with her. As time goes on, the wall between them begins to collapse, and Sang-woo comes to realize how much his Grandmother really means to him.

FLY AWAY HOME

U S A  - 1996

Director  KARROL BALLARD 

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Amy is a young teenager when she loses her mother to a car accident. Because of it, she moves in with her father. Amy finds her new life absolutely miserable, until she finds abandoned goose eggs from when the developers tore up the forest behind her home. They soon hatch and Amy becomes their "mother" and takes care of them. Winter quickly arrives, and the geese must go south. But who will show them the way? It is up to Amy and her father to make sure that the young geese find their way, and with the assistance of her father's invention, they do just that.

 

Movies You Can't Miss

THE PIANIST

A Roman Polanski Film

The winner of the top prize, the coveted Palme d'Or (Best Picture) award, at the 2002 Cannes International Film Festival, The Pianist is the latest film from one of the world's true visionary filmmakers: Roman Polanski. The film is Polanski's most personal statement, the one he has waited four decades to make, a testament to the belief that the triumph of the human spirit is wedded to the transforming power of art.

 

Movies You Can't Miss

Spring, Summer, Fall, Winter and Spring

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Spring, Summer, Fall, Winter... and Spring is a 2003 South Korean film about aBuddhist monastery that floats on a lake in a pristine forest. The story is about the life of a Buddhist monk as he passes through the seasons of his life, from childhood to old age.

The movie was directed by Kim Ki-duk, and stars Su Oh-yeong, Kim Young-min, Seo Jae-kyung, and Kim Jong-ho. The director himself appears as the man in the last stage of life. The quiet, contemplative film marked a significant change from his previous works, which were often criticized for excessive violence and misogyny.

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Working miracles with only a single set and a handful of characters, Korean director Kim Ki-Duk creates a wise little gem of a movie. As the title suggests, the action takes place in five distinct episodes, but sometimes many years separate the seasons. The setting is a floating monastery in a pristine mountain lake, where an elderly monk teaches a boy the lessons of life--although when the boy grows to manhood, he inevitably must learn a few hard lessons for himself. By the time the story reaches its final sections, you realize you have witnessed the arc of existence--not one person's life, but everyone's. It's as enchanting as a Buddhist fable, but it's not precious; Kim (maker of the notorious The Isle) consistently surprises you with a sex scene or an explosion of black comedy; he also vividly acts in the Winter segment, when the lake around the monastery eerily freezes. --Robert Horton

Movies You Can't Miss

The Lovers On The Bridge (1991)

                                                                    

                                      Directed by    Leos Carax

                                      Cast              Juliette Binoche

                                                            Denis Lavant

Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the streets because of a failed relationship and an affliction which is slowly turning her blind. The film portrays the harsh existence of the homeless as Alex, Michele and Hans, an older vagrant survive on the streets with their wits. As they both slowly get their lives back together, Michele becomes increasingly dependent on Alex as her vision deteriorates further. Fearing that Michele will leave him if she receives a new medical treatment Alex attempts to keep Michele practically a prisoner. The streets, skies and waterways of Paris are used as a backdrop to the story in a series of stunning visuals which dominate the film.